My practice de-centers the individual artwork within an ever-shifting whole. The installations dissolve the single viewpoint of one-point perspective and posit a kaleidoscopic array of shifting sculptural pictures that create multiple points of view. I explore the dissonance between the artwork and the real-world spatial and temporal experience beyond -- with hundreds of drawings hung on garment racks, stacked in custom-made boxes or draped from walls and furniture.
I investigate our interconnections with the natural world and how still images can account for the unending transformation of matter.
My process varies for each project: the one constant is paper, for its sustainability, portability and ubiquity. Whether observed from nature or developed through process, I work to find an openness which hints at the entropy, resilience and beauty in nature.
I feel a sense of urgency in responding to our environmental crisis and our stewardship of the natural world. I believe in the power of artwork to disrupt hierarchies, and unabashedly believe in art’s potential to foster empathy and open perspectives.